It seems to pair well with KEF. I have them a few feet from the wall, and sound comes from everywhere beyond the speakers, as if the wall opens up to a stage. Jazz music is okay. The LS50s would be much better for that, or the Q550 presumably. I'm glad you liked the usage scenarios. Also, get a good sub. I mentioned somewhere else that I really like how they sound with a NAD D3020. That’s how I have them now, and they are absolutely fantastic and fill it with ease. There is bass that these hit extremely well, making them shake the room that I’m in. Most likely the DAC 3B from Benchmark, but I'm not sure yet. I don't think that they scale extremely well though. With dynamic speakers, each of these events is a different volume. Her voice is all over the place, and sometimes when she holds onto a higher note, it can get a bit sharp with a lot of speakers. But they were shaking the entire room when given a song with some bass. They look sleek and minimal. Press J to jump to the feed. I don’t want this to be a comparison between the LS50 and the Q150, but it already kinda is, so let’s continue. If you've got $600, I think it would be better to grab the KEF Q150 and a $50 amp rather than something for $300 and a $300 receiver. Magnetic grilles sold separately. A revamp of the original Q100, the Q150 delivery HiFi sound, that most music lovers can afford. They look just plain white most of the time, but when the light hits them just right, they have this really cool stripey pattern (yes I know stripey isn’t a word). Edit: I mentioned that volume is a problem. Some people might do that and think "I need a sub before I get an amp" but that may not be the case. The drums in “Jazz Variants” by O-Zone Percussion Group can easily make these shake the room. The Q250C centre channel speaker features the KEF signature Uni-Q driver array, and without a rear port it can be placed inside a cabinet with ease, creating precise, captivating dialogue. I also just purchased a Bic F12 sub. However, if you like dynamics for some reason, these aren’t the speaker for you. Those tend to lose bass clarity and make the top end a bit shrill. This is a weird thing to mention, because this most likely won’t be a problem for most people. Perhaps the product cost reductions that enabled the low pricing might also be excessivley degrading the resulting performance, or maybe not. Guest rm: KEF iQ10 on stands, Bluesound Vault 2 streamer, Denon AVR-1912. KEF Q150 : bass-reflex optimisé. Would I ideally have subs? The highs are detailed. Slightly off topic but what are your thoughts on the Hegel? Nobody probably knows that exact song, but a lot of people are familiar with the musical and can probably imagine the dynamic and vocals that are in it, so I kinda think it is a good one to mention. Grilles are an extra $30. Listening to “Theme From New York, New York” by Frank Sinatra, it’s easy to tell exactly where is voice is coming from, and where every instrument is coming from. I don't want to say that there's a "perfect speaker" because there isn't. When asked how the Q150 compares to the LS50, he says “it’s very similar”. Vocal clarity is excellent on them, which is perfect for that. Continuing onto the soundstage. Those Philharmonic BRMs are heavy and big so I never moved them, especially since they’re my ‘main’ speaker. It seems that this is the key to the imaging and soundstage on these. I am using it for my Polk S15 on my desktop and I couldn’t be happier. Of course. I’ve mentioned with some speakers that the amp really matters. With these, not at all. Priced as a PAIR. While it does get deep and is well defined, you can’t crank it up. I don't want to talk about how they sound with orchestral music because I don't listen to that and I think it would be unfair. Magnetic grilles sold separately. That’ll come into play later. On top of that, it's fairly safe to say that Kef Q150 are more popular speakers, based on their 200+ reviews. Possibly a good idea if you’re on a desk. I think they're a good way to learn about it. It might be able to be extrapolated from information through the rest of the review, but I want to be 100% certain that the reader understands where I stand on that. When she puts some effort into different words, you can feel it in her voice. Let’s talk about some specifics. The listening window seems to tame that treble shelf a fair bit so I'm going to guess these are flattest around 20 degrees off axis as I've usually seen with KEF, which is approximately using no toe in the average listening room. What looks like a … Ever little detail is so precise. Also of note, they come with port plugs in case you want to plug that up. Not looking for advice, just wanted to share. Just be warned that you may need slightly taller stands than normal because the tweeter isn’t at the top of the speakers. Compact two-and-a-half-way floorstander The Q550 2.5-way is far more capable than its compact size might suggest, delivering wide bandwidth and full scale with ease. Press question mark to learn the rest of the keyboard shortcuts, Bookshelf speakers don't go on a bookshelf, they have this really cool stripey pattern, here they are with the Micca MB42X and the Elac Debut B6.2. How do they affect the sound? But like, why would you cover that up? I get why the LS50 got all this praise at $1500. With the KEF signature Uni-Q driver, a 130mm (5.25 inch) aluminium bass driver and two matching ABRs the Q550 delivers phenomenal audiophile performance with clarity and power. The bass is so quick and clean on them. I feel as though I’m sitting in a huge room with a performance happening in front of me, rather than just a small room with a pair of speakers. It adds just a bit of warmth, which makes male vocals really feel weighty. I don’t notice anything wrong with the speakers at all. Demoed the tube cube head to head against the A-100 and preferred the cube, by far. If I start a Spotify connect session and play something to them, after around 30 seconds it just stops until I … I mean, if you were looking at 28” stands, maybe go with 30”. “Baby Mine” by Bonnie Raitt is an astonishing piece, and these leave no piece of it out. It probably isn't the best reference, but I'm okay with that. Make sure to take advantage of these as soon as possible. This is their strong suit in my opinion. I've got a Marantz PM-11S2 which is probably a better reference amplifier, since it is very clean and clinical. A weird one is the 1957 recording of West Side Story. Press question mark to learn the rest of the keyboard shortcuts. Now, I’m not being fooled that a piano is in here, but they do a pretty darn good job. Well, I just switched the song to “Johnny & Mary” by Bryan Ferry and found out that there is a rattle in my house somewhere. Either way will get you good results, but the first way will give you much better speakers and you can upgrade the amp later. I think it would be a good idea to get a pair of these and a sub, and sometime down the line slide these to the sides and replace them with LS50s, because those get louder easier (perks of not having any bass I guess). They’re like a budget LS50, but not that much worse, and actually have better bass extension (with a bit less clarity though). They had to redesign everything, and I don't think they did as well with that as they did with the LS50. Ce dernier est surmonté d'un guide d'onde et chargé par un tube évasé, afin d'amortir les ondes arrière et ne pas perturber la restitution. The key here is to get them away from the wall. What amp will you be using? They lay down a phenomenal soundstage and place everything in it perfectly. Home Theatre: Marantz SR6014 | KEF Q750 Front L/R | KEF Q650c Centre | KEF Q150 Surround L/R | HSU ULS-15 MK2 Subwoofer | Sony XBR55X900E | PS4 Pro | Xbox One S | Nintendo Switch Music: Cambridge Audio AXR100 | Cambridge Audio AXC35 | Fluance RT85 | Ortofon 2M Blue | Neat Motive 3 . J. jonnyboy7 Novice Member. It fills the room evenly, as if a piano is in the room. It opened up the entire soundstage, and made everything extremely clear and airy. Anyways, I like the Hegel. Size may be a problem for some people. We focus on education, discussion, and sharing of entry and mid level separate & multi component audio systems. One song that I like to listen to on speakers with metal tweeters is “Someone Tell The Boys” by Samia. There's an interview with the designer where he states that with the Q150, they would set it up next to the LS50 and listen for differences, and then fix the Q150. If you want to get extremely loud speakers for your movie theater, probably not these. 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